The IWSC 2024 Wine Results are out

Following two weeks of the IWSC 2024 Wine Judging, today we are delighted to reveal the medal results. This year, we received thousands of entries from across the world. We had a team of over 120 international judges join us, including over 20 Masters of Wine and nearly a dozen Master Sommeliers. Our expert panels were comprised of 57% Off-Trade Buyers from UK’s leading retailers, 26% On-Trade Buyers from well-established bars and restaurants, 6% Wine Journalists and Educators. The panels were overseen by the IWSC Wine Judging Committee members: Alex Hunt MWAlistair Cooper MWDirceu Vianna Junior MWEssi Avellan MWJohn Hoskins MWMick O’Connell MWSarah Abbott MW.

IWSC 2024 Wine Judging highlights

  • Sweet and Fortified wines stole the show, with outstanding entries from Spain, Portugal, Australia and Canada.
  • Champagne put on an impressive performance earning 11 gold medals and once again proving that the region consistently delivers high quality despite the vintage challenges.
  • France won the country medal race with just shy of 700 medals awarded, including 27 golds.
  • Italy and Australia made it in the top 3 most coveted countries, with nearly 550 and almost 340 medals respectively.
  • English sparkling wines had a triumph at this year’s judging, scooping up awards, with our experts admiring the skillful winemaking and the diversity of styles. English Blanc de Blancs and sparkling rosé are among the standouts.

Fortified wines

Fortified wines scoop IWSC medals every year and 2024 was no exception. The judges were delighted by the quality sherries, ports and madeiras, as well as Rutherglen Muscats from Australia, with over a dozen gold medals awarded to the most exceptional wines.

“Some of the sherries showed amazing intensity, wonderful complexity – they just jumped out of the glass. You taste it – and you know straight away that it’s a gold,” shared Dirceu Vianna Junior MW who led the fortified wines tasting.

One of the standout gold-winning sherries was Emilio Lustau 30 YO Amontillado NV, praised by the judges for its complexity and long finish.

As for the highest scoring ports, Kopke Colheita 1965 received a stellar 97 points and a gold medal, the judges raving about its multilayered aromas and describing it as “light but elegant, with a great finish”.

Madeiras also didn’t disappoint; moreover, the judges proclaimed this year’s entries “some of the best madeiras we have ever tasted”. One of the top performers here was Blandy’s Madeira Sercial 1990 that earned 96 points and a gold: “Superb wine with great personality, character and complexity.”

Sparkling wines

With an incredible diversity of entries on show, our Sparkling Wine Judging was split over 2 days, with dedicated expert panels for each subcategory.

The Champagne panels were overseen by Essi Avellan MW who was impressed with the overall quality of this year’s entries. The panels echoed this sentiment, noting that there’s great quality to be found in this exciting category, even in the most challenging vintages. “The vintage categories, and especially the Blanc de Blancs styles really stood out,” shared Essi Avellan MW.

The highest-scoring champagne was, nonetheless, a non-vintage one – Solera Rosé Brut NVby Champagne Palmer receiving an impressive 98 points and a gold from the judges.

The other standouts included two vintage expressions: Clos Lanson Blanc de Blancs Extra Brut 2010 by Lanson and Orpale Grand Cru Blanc de Blancs Brut 2012 by Champagne de Saint Gall – both entries were awarded with golds and 97 points.

Over 150 medals were awarded to champagne entries, including 11 golds – an awe-inspiring performance.

Prosecco, English sparkling and other sparkling wines tasting was co-chaired by Alistair Cooper MW and John Hoskins MW.

The Proseccos were consistently well made, with a step up in quality of the Conegliano Valdobbiadene and Cartizze Prosecco. The judges praised the “very good concentration of fruit, fruit definition and good mouth-coating texture”.

Over 70 medals were awarded to Prosecco, and, as expected, Valdobbiadene Brut became the standout flight, with a gold medal awarded to the best expression – Daldin Brut 2023, praised for its “elegant nose, good linear drive and lifted finish”.

English sparkling performed brilliantly this year, with over 100 medals awarded, including six golds.

Several English rosés and Blanc de Blancs caused real excitement among the judges, in particular Wyfold Vineyard Rosé Brut 2018and Union Champagne Tesco Finest Rosé Brut NV. Both wines received 96 points and gold medals.

Gusbourne Boot Hill Vineyard Blanc De Blancs Brut 2018 was the highlight amongst the English Blanc de Blancs – 96 points and a well-deserved gold medal, the judges admiring the “lovely freshness” and the “long, fine, mousse”.

“The English Blanc de Blancs showed some extremely fine wines, indicating the commitment to quality in Sussex, Hampshire and Kent as a whole,” shared the judges.

Looking at other parts of the world, New Zealand sparkling wines showed great quality with 4 gold meads awarded, with one outstanding entry, Oyster Bay Cuvée Brut NV, earning an impressive 96 points.

Canadian sparkling wines wowed our judges with their freshness and concentration of fruit, receiving 2 golds, the highest scoring wine being Lakeview Wine Co. Brut 2017.

France

This year we saw a 20% increase in French entries, with nearly 900 wines from all regions of France on show. The panels tasting still French wines were co-chaired by the IWSC Wine Judging Committee members Alistair Cooper MW and John Hoskins MW. More than 80% of all French wines that entered the competition won medals, including an impressive number of 27 golds, securing France as the top country in the medal table.

In addition to the Champagne sparkling success, the standout regions were Chablis, Provence and Alsace.

The judges praised the nuanced expressions and ageing potential of the best Chablis, noting that, “the complexity exhibited by the Chablis wines was truly remarkable”.

One of the top-performing Grand Cru Chablis, the gold-winning La Chablisienne 2020 our judges proclaimed “electric”, wowed by the “mineral, very concentrated ripe apple and citrus with moderate savoury complexity and long finish”.

The Alsatian gold-winning highlight was a stunning 2022 Gewurztraminer by Dopff Au Moulin, displaying plenty of varietal character with an “exuberant nose of lychees, dried orange peel and pithy, phenolic grip on the palate.”

Two brilliant rosé wines from Provence also received the coveted gold: Château Saint-Maur L’excellence 2023 and Mirabeau Pure 2023. The judges admired the “sense of place”, the charming fruity flavours and the great gastronomic potential of both wines.

Italy

Our Italian panels were co-chaired by Mick O’Connell MW and Alistair Cooper MW who both agreed that there was high quality on show across all regions of Italy. This is reflected in the results – over 450 medals were awarded to Italian wines, including 9 golds.

Piedmont flights became the highlight for our judges, the region boasting 4 gold medals. One of the most impressive Piedmont entries was, unsurprisingly, a Barolo –“rich, elegant and refined”G.D.Vajra Coste Di Rose 2020The wine won a firm gold and scored 96 points.

Another outstanding entry from Piedmont was a white wine from the rare Timorasso variety – Cantine Volpi Derthona Zerba Antica Timorasso 2019. The judges were unanimous in awarding it a gold praising its “rich and honeyed style and very textural waxy finish”.

A high performer that also came from Northern Italy was an oaked Sauvignon Blanc from Friuli Venezia Giulia – Aganis Sauvignon 2023. The wine wowed our judges with its “richly pungent style with nicely integrated oak notes”.

Spain

Our Wine Judging Committee member, Dirceu Vianna Junior MW, oversaw all the panels and was encouraged by the high quality that was presented this year.

In addition to the stellar performance of sherries, several other Spanish regions stood out to our judges earning as many as nearly 400 medals, including 8 golds.

Rioja and Ribera del Duero were among the top-performing parts of Spain.

Riojan wines showed a clear “sense of place”, said our judges. Bodegas Ramón Bilbao Gran Reserva 2016 impressed the panel with its delicate use of oak, “adding an extra layer of spice and complexity”, but not dominating the rich black fruit characters – a firm gold.

Another impressive Spanish red came from the region of Toro. Finca Sobreño Ildefonso 2018 received 97 points and a gold medal from our judges who praised the wine as “extremely long and showing great typicity.”

Portugal

Our Portuguese wine panels were also led Dirceu Vianna Junior MW who noted that, “the consistent quality and the highly enjoyable drinking experience that these wines offer is truly impressive.”  Over 260 medals were awarded to Portuguese wines, including 10 gold medals, the majority of which were scooped by the country’s famous fortified wines (3 golds went to Madeiras and 6 to Ports).

The gold-winning still wine from Portugal came from Douro DOCQuinta do Pégo Vinhas Velhas 2016 had our judges applaud its fruit-forward style with well-balanced oak, the wine showing “surprising freshness despite the age”.

Australia

Australia had another impressive year with over 330 medals awarded, including 10 golds. The IWSC Judging Committee member Alistair Cooper MW led the tasting, noting that Australian Shiraz, Chardonnay and the country’s fortified wines were among the highlights.

The Chardonnays received 4 golds with the judges admiring a standout wine from Adelaide Hills – Orlando Wines Lyndale Chardonnay 2021. Made in a reductive style, which was nicely balanced by ample aromas and flavours of “green apple and blossom, with lively acidity and creamy texture,” this was a strong win.

Shiraz dominated the red flights and led the red wines medal count, with 3 gold medals and a collection of silvers and bronzes going to Barossa and McLaren Vale.

The gold-winning Golden Amrita Sunshine Hill Shiraz 2021 from Barossa Valley blew away our panels, with Alistair Cooper MW commenting that, “it was so clearly Barossa – and it was the modern style of Barossa, allowing that fruit to express itself”.

Fortified wines from Australia showed incredibly well, with 2 gold medals and a whole host more silvers and bronzes awarded to Rutherglen Muscats.

New Zealand

New Zealand also didn’t disappoint this year, with over 250 medals awarded, including 8 golds. Our Wine Judging Committee member, Alex Hunt MW was at the helm overseeing all panels. The judges were extremely pleased to see a diversity of grape varieties and winemaking approaches.

In addition to the aforementioned New Zealand sparkling wines that truly shone this year, Marlborough region put on an impressive performance earning 3 golds – for a Sauvignon Blanc, an Albariño and a Pinot Noir. Interestingly, it was the oaked Sauvignon Blanc that particularly stood out – The Craft Series Pride And Glory Sauvignon Blanc 2022 by Marisco Vineyards wowed our experts with its “richness on the palate with great acidity carrying the citrus fruit, engine smoke on the oaky nose with great length”.

Canada

Canada really impressed our judges this year, with nearly all of the wines receiving a medal. As with previous years, the showstoppers were the sweet wines from Canada, with 4 gold medals awarded to standout entries that showed real class and elegance.

One of the top-performers was Icewine Vidal 2021 from Reif Estate Winery that scored 96 points and earned a gold from our judges who praised the wine’s “complex aromas and flavours, with beautiful structure and vibrant acidity.”

The judges were pleasantly surprised to taste some well-made dry wines, both red and whites, from grape varieties like Syrah, Cabernet Franc, as well as white Chardonnays.

The abovementioned Canadian sparkling wines also performed brilliantly and earned 2 gold medals.

South America

The regionality and expression on show were superb. Year-on-year there have been improvements from all across South America,” said Alistair Cooper MW who headed our South American panels.

Argentina topped the South American medal table with a total of 181 medals including 5 golds. The judges were pleased to see not only some outstanding expressions of Malbec, but also some high quality Cabernet Franc which is gradually moving towards becoming the next hallmark variety of the country. Two Cabernet Franc wines were awarded with gold medals:Lauren Single Vineyard Cabernet Franc 2021by Casarena Bodega y Viñedos and TriventoGolden Reserve Cabernet Franc 2022 – both wines showed “well-defined varietal characteristics”.

The judges were very pleased to see the consistent quality of Chilean wines with 98 medals awarded.

Brazil also performed well with a “beautiful range of grapes and some skilled winemaking on display” – over 50 medals were awarded to Brazilian wines.

See the full list of the IWSC 2024 wine results here.

The Wine Judging Committee will now be re-tasting each gold-winning wine to select the best bottles across a range of categories. The trophy winners will be revealed in September.

Stay tuned for more wine results in the coming months from our Global Wine Judgings that will take place in Turkey, Margaret River, Austria, China and South Africa.

 

 

Introducing our collaboration with Bottlebooks

Introducing a one click solution to entering our awards.

The IWSC is delighted to share news of a time saving solution. We have partnered with data platform Bottlebooks to offer wine entrants simplified and time saving entry to our awards.

Save time on your IWSC awards entry with Bottlebooks

As our awards broaden to incorporate the growing diversity of drinks available, entry into our awards had the potential to become progressively more complicated and time consuming.

But this will not be the case! The IWSC is delighted to share news of a time saving solution. We have partnered with data platform Bottlebooks to provide a one click solution for entry to our awards.

Bottlebooks was created to simplify the exchange of comprehensive drinks information in a standard format. Rather than duplicate the same information again and again to fulfil different requirements or requests, by uploading and hosting this information to Bottlebooks, it is available in a standard format to be exported directly to any producers, retailers, importers, events or awards bodies who require it.

Over 170,000 teams are already using Bottlebooks including retailers M&S and Waitrose, international events Prowein and London Wine Fair, importers Berkmann Wine Cellars, ABS and MMD and associations New Zealand Winegrowers, California Wine and WOSA.

If you are already actively using Bottlebooks, or have used it previously to export your wine data, you are now able to use the platform to enter our awards, saving you precious time in what we recognise can be a time-consuming entry process.

Q&A

Q. I haven’t used Bottlebooks, how do I sign up?

A. Head to the Bottlebooks website and click ‘login’. If your business already has an account, you will be able to join it and get started. If it is the first time you have used Bottlebooks you will be taken through the set-up process which can be completed in a matter of minutes.

 

Q. I want to enter the IWSC but don’t use Bottlebooks, can I still enter the awards?

A. Yes of course. Please enter directly via our website here.

 

Q. I submitted wines to a retailer/event/association/distributor/agency using Bottlebooks. Does this mean I can enter the IWSC using Bottlebooks?

A. Absolutely. If you click on the IWSC entry link, you can enter by adding your wines to the collection.

 

Q. Is there a cost associated with using Bottlebooks?

A. There is no cost to use Bottlebooks when submitting information to IWSC.  Bottlebooks has several paid subscriptions available for producers, importers, and retailers. More information can be found here: https://www.bottlebooks.me/portfolio

Source: IWSC

Georgian Wine: on the road to global success

Known as ‘the cradle of winemaking’, Georgia has a history of over 8,000 vintages. With over 500 indigenous grapes and a unique winemaking tradition of qvevri, this stunning mountainous country has a few cards up its sleeve to impress even the most discerning palates. This has been once again proven by the IWSC’s 2024 Wine Judging in Georgia which had our international experts sing praise to Georgian grapes and wine styles. At the end of the tasting, organised in partnership with The Gurjaani Wine Festival and National Wine Agency of Georgia, we sat down with our judges, David Kermode, Will Hill, Cat Lomax, as well as Head Judge Alistair Cooper MW, to hear their opinions of Georgian wines and their future on the global stage.

“I am very impressed. This is my second trip to Georgia – the first one was 4-5 years ago. And I have seen a qualitative leap forward in those four to five years. We found some absolutely world-class wines during this judging,” shared Head Judge Alistair Cooper MW.

The medal results are a testament to the consistent quality of Georgian wines – this year, out of nearly 450 wines that entered the competition, more than 60% were awarded with medals, including 18 golds. These results are similar to last year’s Georgian Wine Judging, when around 57% of wines received medals, including 16 golds.

It is not just the quality, but also the diversity of Georgian wines that impressed our judges.

There are so many different styles on the show! And not just styles from one variety to another. But regionally, we are seeing a lot more identifiable dependency between where grapes are coming from, and the kind of winemaking decisions that are very, very clear in the glass,” said Will Hill.

Cat Lomax praised the distinctive character of the Georgian wines tasted: “Some of the top-flight wines that we awarded golds were truly standout and incrediblymemorable in terms of the aromas that you get in the glass. They just have a real hallmark, an individuality sort of stamped onto them, which is just distinctive for this one country in the world. So yes, they are qualitatively, very much up there with the best wines.”

Some of the most distinctive Georgian wines are certainly skin-contact wines made in qvevri, noted the judges who were impressed by the way qvevri allows the grape character to shine through, while also adding a rich texture to the wines.

Something we found was quite consistent in qvevri wines was this umami kind of flavour. Sometimes it presented itself as a kind of soya bean, sometimes a little bit more like parmesan cheese, but in a very desirable subtle way. And the texture that can come from using a qvevri is something you don’t really get from other vessels. This wonderful integration of spice and tannin, and this drying kind of finish!,” shared Will Hill.

The judges emphasised that when it comes to qvevri-made orange wines, careful extraction is crucial for maintaining the balance and avoiding the overly dry sensation on the palate. When done well, these wines are outstanding and their ageing potential is truly remarkable, said the judges.

“Ithink, very often they are wines that need to be drunk with food – due to the grip they have. But they offer such fantastic opportunities for pairing with food! So they’re kind of a sommelier dream, I think because they can go with so many things,” added Alistair Cooper MW.

However, a sommelier’s dream could be a retailer’s nightmare pointed the judges, as selling these wines off a supermarket shelf might prove challenging.

Cat Lomax shared some tips for the producers: “The brilliant thing about selling wines in a restaurant is a hand-sell moment – the sommelier can give you the story, explain exactly why this wine will go perfectly with this particular dish. That’s very different in a supermarket environment where you have nobody guiding you – all you have is a small ticket and a label. So the more guidance you can give consumers to help them on that journey, the better it will be in terms of results, both in terms of sales, but also loyalty, because you’ll have a customer who understands your wine and knows when to drink it”.

Placing more emphasis on the labels and including tips and hits for consumers, such as serving and food pairing suggestions, was something our judges recommended to Georgian producers.

Speaking of the standout grape varieties, our experts highlighted Saperavi, often named the ‘king of Georgian grapes’ – a well-deserved title, according to the judges who described these big bold red wines as consumer-friendly and compared them to Malbec.

Alistair Cooper MW shared: “I think it’s a great variety that will appeal to many people. And that I think, is one of its star qualities, in a way linking it to something like Malbec – it’s just as ‘user-friendly’. It’s accessible for the less engaged consumers yet right the way up to very engaged consumers and professionals. I think it has a lot to offer. And it can age really well.”

The judges admired the rich exuberant character of Saperavi wines, emphasizing that this grape also requires careful extraction and skillful tannin management.

“Stylistically, I think the most successful Saperavi wines that we have tasted have had really intelligent management of tannin. Obviously, as a big, rich grape variety, it’s quite easy to verge into very extracted wines and to get very drying tannins. So, as I said, the more successful wines are where that tannin has been reined in. It’s ripe, it’s adding a bit of grip, but it’s not dominant. And there’s lovely fresh acidity on the finish so that you get a lovely kind of juiciness,” shared Cat Lomax.

As for the other grapes that performed well, the judges highlighted a few white varieties – specifically, Kisi, Rkatsiteli, Khikhvi and Mtsvane Kakhuri.

“I think Kisi does very well in qvevri styles, but in non-qvevri as well. It’s floral and aromatic, but not overly so, not like, let’s say Torrontes or Gewurztraminer can be. I think Kisi has got this lovely, more restrained morality than those grape varieties, perhaps with some minerality on the palate, looking more towards Gruner Veltliner or something like that. so I think that it’s a great variety that is very much in line with what’s trendy at the moment,” shared Alistair Cooper MW.

Judge Will Hill added: “I found some exceptional examples of Rkatsiteli even with a few years of development in the bottle which was very exciting. But in terms of some of the qvevri wines we tried, Khikhvi in particular, was wonderfully spicy, with great texture – it is one of my favourites I found in qvevri. We were pleasantly surprised by another grape– Mtsvane Kakhuri – the elegance that we found in this grape really produced some of the best qvevri wines we came across.”

Summarising the tips and advice for Georgian wine producers who are aiming to grow their export, our judges, once again, emphasised that the quality is there – now it is time to focus on branding and storytelling. Start with the label, said the judges. Make sure the front label is easy to read and understand for consumers across the world, and the back label contains some clear and not overly complicated descriptors – such as, what the wine tastes like, how to enjoy it, what to pair it with. As for the winemaking practices – careful extraction is key.

Cat Lomax explained: “Across both reds and qvevri wines, one of the key messages I would give would be about managing tannins. It’s very easy, as we’ve already mentioned, with Saperavi to end up with big extracted wines with quite grippy, chewy tannins. The same can be said of qvevri wines. The longer skin contact can result in a wine that is quite drying. So it’s all about thinking about that last sensation in the mouth. Is it juicy and fresh? Or is it drying? And if it birding towards drying, you’ve probably extracted a bit too much.”

Alistair Cooper added, that focusing on youthful, fruit-forward, easy-to-drink Saperavi at a slightly lower price point will help to win over new consumers and push the category forward.

Another tip the judges shared is working closely with independent retailers who can become true ambassadors of Georgian wines. “Independent specialists have a loyal following of customers, and they’re growing well. So many people that I know that are not in the wine industry, that are semi-engaged or engaged consumers, trust these gatekeepers. So I think we need to make sure that those gatekeepers and those independents are engaged, because they have a huge role to play in furthering the accessibility of Georgian wines to consumers,” said Alistair Cooper.

Georgia is a very special place for a wine consumer to explore, with authentic wine traditions and unique grape varieties, said the judges. At the same time, the country successfully combines its heritage with modern winemaking techniques, producing wines that are easy to understand and enjoy anywhere in the world. It is exciting to see the quality of Georgian wines grow, and our judges are looking forward to diving deep into the country’s authentic wine styles next year.

IWSC 2024 Wine Judging in Georgia: deliberations from our judges

Our team of international experts spent an eventful week in Kakheti, Georgia’s biggest wine region, during our Global Judging event organised in partnership with the Gurjaani Wine Festival and National Wine Agency of Georgia.

The judges visited Kakhetian wine producers, from big, benchmark wineries to boutique, family-run projects, and tasted their way through over 500 entries. This year, in addition to the wines from Georgia itself, we were delighted to welcome entries from Armenia and Azerbaijan.

The judging panel was overseen by Alistair Cooper MW. A stellar team of international experts joined Alistair at the tasting table: Cat LomaxEmma PenmanWill HillGeorgios IordanidisMelania BattistonDavid KermodeZara Serobyan and Salvatore Castano. Local Georgian judges also joined the panel bringing their invaluable insight and knowledge of the region.

“I am very impressed. This is my second trip to Georgia, the first one was 4-5 years ago. There has been a huge step forward in quality since that time; we enjoyed some absolute top-end wines during this judging,” shared Alistair Cooper MW.

The judges appreciated the careful use of oak, as well as the individuality and the distinctive regional character of many Georgian wines that entered the competition. This character really shone through in Georgian qvevri wines, which put on a brilliant performance: 9 golds and many more silver and bronze medals have been awarded to orange wines made following this tradtional method.

“The best-performing wines were orange wines – we found a number of great examples, which were a joy to taste. The very best of these won gold medals due to their fresh acidity, highly perfumed nose, elegant palate and restrained, non-drying extract,” shared the judges.

Kisi and Rkatsiteli are the grapes that showed particularly well when vinified in qvevri, said our experts. One of the highest scoring wines of the Georgian judging was a Kakhetian orange Rkatsiteli. The wine earned 97 points and a solid gold with judges praising its nose of sweet dried apricots, golden raisins and freshly baked pastry, as well as its velvety texture and a long lasting finish.

Saperavi, Georgia’s most widely planted red variety, was another standout grape with good results achieved by both qvevri and non-qvevri styles. The judges noted, when it comes to Saperavi, careful extraction, tanning management and a cautious use of oak are key. With the right approach in the vineyard and at the winery Saperavi yields juicy, lush, well-structured wines.

“Saperavi is a great variety. It’s like Malbec in a way – it’s very accessible, it has a lot to offer, it’s very consumer-friendly. And it has the ability to age really well – we tasted some wines that were 13 years old and they showed really well,” shared the judges.

Overall, Georgian wines performed exceptionally well at this year’s tasting with more than 280 medals awarded in total.

Speaking of Armenian wines tasted this week, the judges highlighted that Areni from Vayots Dzor region performed well, with 9 strong medals earned by Areni wines.

“The most successful wines allowed the character of the grape to shine through (red cherry notes), but were ripe and had balanced acidity. We did find a couple of wines where the oak was too heavy, so this is something for producers to be conscious of when making decisions in the winery,” revealed the judges.

Other Armenian varieties that performed well were Akhtanak & Nrneni, said the judges. In total, Armenian wines received over 20 medals, with nearly half of all entries from this country being awarded.

IWSC Wine Judging in Georgia: medal results revealed

Our 2024 Awards officially kicked off with the IWSC Wine Judging in Georgia. Last week, we were delighted to hold a Global Judging event in this country for the second time – after the roaring success of the 2023 judging.

This year, in partnership with the the Gurjaani Wine Festival and National Wine Agency of Georgia, the judging took place in Kakheti, Georgia’s key wine region. In addition to the wines from Georgia itself, we welcomed entries from Armenia and Azerbaijan. With over 500 entries, this year our Wine Judging in Georgia was an even bigger event.

Our judging panel was led by Master of Wine Alistair Cooper who was joined by internationally renowned on-trade and off-trade wine experts and communicators:  Cat LomaxEmma PenmanWill HillGeorgios IordanidisMelania BattistonDavid KermodeZara Serobyan and Salvatore Castano. Local Georgian judges also joined our international panel.

Georgian wines put on a brilliant performance with 285 medals awarded in total, including an impressive number of 18 golds, over 70 silvers and over 190 bronze medals.

The judges were particularly impressed by qvevri-made, orange wines which, according to our experts, showed complexity and distinctive regional character. Georgian qvevri wines received 8 gold medals and many silver and bronze awards, with the highest-scoring wine of the competition being a qvevri wine – Kardanakhi 1888 LLC Tsarapi 2020. This entry received a stellar score of 97 points and a solid gold, the judges calling it a “super star” and admiring the “golden raisins and freshly baked pastries on the nose, with warm apricots and sweet spice. A velvet palate with a complex yet silky structure of toasted nuttiness, finishing on candied oranges and balanced acidity”.

Two more gold-winning qvevri wines received impressive scores of 96 points from our judges: LTD Kakheti Company Bedoba Orange 2021 (“complex and layered with wonderful precision. Ripe aromas of persimmon, sweet spice and ginger with a creamy yet textured palate”) and Mildiani Khikhvi Qvevri Bouquet 2018 (“a wonderfully expressive and aromatic bouquet with complex layers of tart quince, honey, dried mango and orange zest”).

Several gold medals were awarded to wines made of Saperavi – Georgia’s main red grape. The highest-scoring Saperavi wine also came from Mildiani Family Winery. Their Mukuzani Reserve 2018 received 96 points and a gold, the judges describing it as “richly-fruited and deliciously spicy”. Mildiani Family Winery were the most decorated producer of this year’s Georgian judging, with a total of 13 medals including 4 golds.

This year we saw over 50 Armenian entries take part in our Wine Judging in Georgia; about half of them were awarded with medals, including one silver and more than 20 bronzes. This shows positive change and progress happening in the Armenian winemaking said the judges, noting that wines made of Areni, Armenia’s indigenous grape, performed especially well.

We were delighted to see several Azerbaijani wines enter the competition for the first time and receive some bronze medals. With the country’s wine industry quickly growing, our judges were excited to taste some very good examples of Azerbaijani wines and are looking forward to tasting more entries from this country in the future.

IWSC Celebrates Georgian Wine’s Global Ascent, Says Executive Director Christelle Guibert

Georgia’s position as a viticultural treasure was underscored by IWSC Executive Director Christelle Guibert at the recent awards ceremony. “Georgia’s wine industry stands unique, offering a diversity of wines that deserve global recognition,” Guibert stated. “Our mission to elevate Georgia on the world wine map is ongoing, and it’s our fervent wish to see it esteemed as the cradle of winemaking.”

The International Wine & Spirit Competition (IWSC) wrapped up with an impressive showcase of 520 wines from over 170 companies. A knowledgeable jury awarded a total of 310 medals, with Georgian vintners sweeping all 18 golds. The silver medals included one notable recipient from Armenia, while the bronze medals were shared among Georgian, Armenian, and Azerbaijani producers.

Hosting the IWSC Wine Judging for the second time, Georgia has turned this event into a tradition that carries prestige for participating companies. Beyond the accolades, the competition affords winners the invaluable rewards of new skills, knowledge, and experience in the wine industry.

This year’s competition, in collaboration with the Gurjaani Wine Festival and the National Wine Agency of Georgia, expanded to evaluate wines from Armenia and Azerbaijan as well, signifying a regional celebration of winemaking.

Jury members, led by Alistair Cooper, president of Cata d’Or and global consultant for United Cellars, included renowned figures such as Europe’s Best Sommelier 2021 Salvatore Castano, and Emma Penman of Waitrose & Partners, among others. Georgian wine expertise was represented by local professionals like Levan Mekhuzla, Chairman of the National Wine Agency, and others.

The IWSC 2024 Wine Judging in Georgia, organized by the Gurjaani Wine Festival, is supported by entities including the National Wine Agency and sponsored by Teliani Valley and Bank of Georgia, reflecting the event’s role in championing Georgia’s ancient winemaking heritage.

IWSC Wine Judging in Georgia: medal results revealed

The prestigious International Wine & Spirit Competition (IWSC) concluded its latest edition, boasting a remarkable tally of 520 wines from over 170 companies. Georgian winemakers shone brightly, securing all 18 gold medals, while a single silver medal was awarded to an Armenian producer, and the 220 bronze medals were shared among 196 Georgian, 22 Armenian, and 2 Azerbaijani companies.

This gathering in Georgia, now a revered tradition for the second consecutive year, celebrated not only the victors but also served as a platform for imparting valuable industry knowledge, skills, and experience.

IWSC Executive Director Christelle Guibert praised Georgia’s distinct and storied winemaking history, expressing delight at the nation’s hosting of the competition. Alistair Cooper, Master Of Wine and jury chairman, was struck by the rapid progress he witnessed in Georgia, urging local vintners to maintain their forward momentum.

The competition, enhanced by a partnership with the Gurjaani Wine Festival and the National Wine Agency of Georgia, has grown into a regional showcase, assessing wines from Armenia and Azerbaijan alongside those from Georgia, reinforcing the region’s rich winemaking heritage.

Levan Mekhuzla, chairman of the National Wine Agency, reflected on the IWSC’s prestigious standing among global awards and its importance for companies looking to break into international markets, particularly in the US, UK, and Europe.

David Songulashvili, chairman of the sectoral economy and economic policy, hinted at the competition’s expansion next year to include even more countries, highlighting Georgia as a pivotal wine hub.

Among the winners, Giorgi Chiviashvili of Brica Winery and Eldar Mildiani of Mildiani shared their triumphs and the energizing effect of their success.

The competition’s judging panel comprised international experts including Europe’s top sommelier Salvatore Castano and Waitrose & Partners’ wine buyer Emma Penman, alongside local experts like Levan Mekhuzla and Ana Godabrelidze.

Organized by the Gurjaani Wine Festival, the IWSC 2024 Wine Judging in Georgia was supported by the National Wine Agency, National Tourism Administration, Gurjaani Municipality City Hall, and Gepra, with sponsorship from Teliani Valley and Bank of Georgia. This event underscored Georgia’s 8,000-year wine legacy and its deserved prominence on the global wine map.

Luke Harbor: Georgian and Caucasian wines, with their rich heritage and diversity of style, are well positioned to become an integral part of the wine narrative, contributing to the storytelling of both place and winemaking

 

Luke, your wine journey began in the kitchen a decade ago. How did that culinary foundation shape your approach to wine and its synergies with food?

My wine journey began a decade ago in the heart of the kitchen. The culinary foundation has influenced my approach to wine, enriching my understanding of flavours, textures, and the context of what food and beverage means to people. Food and wine, for me, represents a part of the essence of life – its primal and gastronomic facets. When it comes to wine, I view it through a lens that encompasses context, embracing the cultural and geographical influences with the occasion itself.

 

As a current Master of Wine student, what has been the most challenging and rewarding aspect of this prestigious journey, and how does it enhance your role as a judge for the IWSC?

As a current Master of Wine student, this journey has been both challenging and immensely rewarding. I’ve temporarily paused at Stage 1, which taught me not only about what I know but, more importantly, about what I don’t. My aspiration to become a Master of Wine remains resolute, and this pause allows for a moment of gratitude and reflection on the experience so far.

 

Given your vast experience and education in wines, what unique qualities or characteristics are you particularly looking forward to uncovering from the Georgian wines at the IWSC Wine Judging?

Drawing on my experience and education in wines, I am eagerly looking forward to exploring the unique qualities and characteristics of Georgian wines at the IWSC Wine Judging. The aspects that intrigue me most include delving into the stories behind these labels, observing indigenous Georgian grape varieties, and understanding how producers utilise the traditional Qvevri. I look forward to witnessing what the contemporary  Georgian wine landscape looks like.

 

Being the Head of Wines for an entire hotel group entails curating a wide range of wine selections. How do you ensure consistency in quality while catering to different palates and preferences across properties?

We’ve established a well-defined philosophy when it comes to choosing wines, focusing on supporting family-owned and smaller producers, wines with compelling stories, sustainability credentials, and value across various price points. Our emphasis is on fostering strong relationships with our suppliers, many of whom are friends, built on trust and shared values. The individuality and personality of each PIG wine list are preserved through the autonomy of the respective head sommeliers, reflecting their expression through the wine list.

 

With the ever-evolving global wine industry, where do you see the next big trend or region emerging, and how do you envision Georgian and Caucasian wines positioning themselves in that future landscape?

While predicting the next big trend or emerging wine region in the ever-evolving global wine industry is a challenge, I believe in staying true to our values rather than blindly following trends. Wines that represent their unique locations, thoughtful winemaking, value, and a genuine commitment to sustainability will likely lead the industry in the years to come. Georgian and Caucasian wines, with their rich heritage and diversity of style, are well positioned to become an integral part of the wine narrative, contributing to the storytelling of both place and winemaking. While they may not rise to the level of popularity enjoyed by New Zealand Sauvignon Blanc anytime soon, I foresee high-quality Georgian wines finding a well-deserved place on our lists.

 

 

Cat Lomax: I’m hoping to find palpable regional expression in the Saperavis and I am very much looking forward to unearthing more varietal Qvevri whites that stand out for their captivating perfume, fruit purity and incredible ability to age gracefully.

Cat, you’ve held significant roles across various premium wine retailers in the UK. How have these varied experiences shaped your perspective on the wine industry, and what unique insights do you bring to the IWSC Wine Judging table?

Although I’ve held buying and senior trading roles for very different companies – with different aims, approaches and customer bases – the key to success has always been the same: to put aside my own personal wine preferences and to instead put myself in the shoes of the customer who is buying a particular wine or wine style. It is only by meeting, and ideally exceeding, a consumer’s expectations that you will win their trust and repeat custom. My perspective on the wine industry has therefore always been ‘customer-centric’ – I strive to keep my personal opinions and tastes out of the equation, and to focus solely on what will delight the customer. This means that, when I’m judging for the IWSC, my foremost concern is whether the wine in the glass lives up to customer expectations. I do this in three main ways: firstly, by assessing whether a wine is clean, well-made and technically correct (faulty wines are immediately disappointing for a customer); secondly, by assessing whether or not a wine reflects the character of the main grape variety, the country of origin or the region in question; and finally, by considering the wine in relation to the IWSC scoring matrix (does the wine meet the standard set for bronze, silver or gold medal wines?) Ultimately, my aim is to ensure that when a customer purchases a wine with an IWSC medal, they are rewarded with a clean, well-made wine that is clearly expressive of a grape/ an origin, and that upholds the relevant quality standard from the IWSC.

 

Returning as a judge for the IWSC Wine Judging in Georgia, what stood out to you about the Georgian wines you evaluated last year, and what are your anticipations for this year’s selection?

Last year, I was really impressed by the sheer breadth of wine styles and grape varieties that Georgia has to offer. My tasting experience at that point in time had mostly been limited to Saperavi and non-varietal specific amber wines, so it was fantastic to discover a whole new world of grape varieties and flavours (this genuinely doesn’t happen very often after so many years as a buyer!) I also had to completely re-evaluate my understanding of ‘orange’ wines during last year’s IWSC Wine Judging, as the qvevri wines I encountered were so different from many skin-contact and ‘orange’ wines that are available in bars and restaurants here in the UK. Before arriving in Georgia, it had been my experience that a high proportion of ‘orange’ wines show overt faults such as oxidation and brett – meaning they are a challenging proposition for many UK consumers. However, the best amber wines I tasted last year had an incredible purity and expressed nothing beyond the aromas of a grape variety, enhanced by ageing in qvevri. To me, these are poles apart from many ‘orange’ wines available in the UK, which is why I now choose to distinguish them by using the term ‘amber’. When it comes to this year’s judging, and after a further trip to Georgia in September this year, I’m hoping to find palpable regional expression in the Saperavis and I’m very much looking forward to unearthing more varietal qvevri whites that stand out for their captivating perfume, fruit purity and incredible ability to age gracefully.

 

With your deep understanding of the UK’s most important wine retailers, how do you perceive the current trends and consumer preferences in the UK wine market, and where do Georgian wines fit into this landscape?

There are a number of key trends in the UK wine market that have direct relevance to Georgian wine, but there are two that I believe represent the largest commercial opportunities. The first of these trends is the unprecedented and continued growth of Argentinean Malbec. Broadly speaking, the Malbecs that are succeeding in the UK right now have a similar flavour profile to Georgian Saperavi: they are deep in colour, full-bodied, full of bright bramble fruit, have a measured tannic grip and have a savoury, lightly spiced edge. This being the case, there is no reason that Saperavi couldn’t find its own, highly successful niche here in the UK. The second trend is that there is an increased interest in indigenous grape varieties and highly regional wines. This can be seen most clearly in the Italian ranges on the shelves of major retailers. Several years ago, large-scale retailers gave international varietals (Merlot, Chardonnay, Shiraz) from Sicily a significant amount of shelf-space. Now, however, those listings have been replaced by indigenous grape varieties such as Pecorino, Primitivo, Negroamaro and Nero d’Avola, and highly regional wines such as Lugana, Greco di Tufo and Etna Rosso. This is great news for Georgia, as the UK consumer is interested in wines that have a strong point of difference – whether this is a unique flavour profile or an ‘undiscovered’ origin.

 

Your track record highlights a strong emphasis on consumer-focused product and brand development. How do you ensure you remain attuned to evolving consumer preferences, and how does this inform your judgments?

There are many ways that I keep up to date with evolving customer preferences: I undertake regular and highly detailed store visits to each major player in the UK wine market to track new product launches, label trends, pricing strategy and promotional activity; I read trade and consumer press articles about all aspects of the wine business; I spend a significant number of days judging at wine competitions every year; and I attend trade tastings and wine fairs, tasting wines but also speaking with producers and trade contacts about the latest developments and consumer behaviour. As a result, I keep my finger on the pulse in terms of customer preferences – I understand what it is that UK consumers are looking for when they purchase a given style of wine. As outlined previously, customer expectations are my start point when thinking about wine, and when I’m judging at the IWSC, so everything I do to keep myself updated with the changing face of consumer preferences has a direct impact on the judgements I make for the IWSC.

 

Georgia has a rich tapestry of indigenous grape varieties. From your judging experience last year, are there any specific varieties that you believe have significant untapped potential in the UK market?

As outlined previously, I think that Saperavi has strong commercial potential in the UK market. Stylistically, this grape variety can be very similar to Argentinean Malbec, which has been enjoying unprecedented commercial success for a number of years now. I am therefore certain that UK consumers would find much to love when it comes to Georgia’s main red varietal. With careful management of skin contact, I think there could also be potential for Rkatsiteli. However, much would need to be done from a marketing perspective to make this grape variety both approachable and memorable (UK consumers really struggle with names that are hard to pronounce, and Rkatsiteli would definitely fall into this camp). In tastings, I’ve found unoaked Kisi and certain types of Mtsvane to have real commercial promise: lots of pretty, upfront fruit, good weight and texture and fresh acidity, without the tannic grip that can sometimes be found in Rkatsiteli. The major challenge here, of course, is that volumes are limited, meaning large-scale export is not currently within reach.

Salvatore Castano: I believe that Georgia can have a glorious future in the wine industry

Salvatore, growing up in the rich wine heritage of Sicily and then establishing yourself in the global wine industry is no small feat. How has your Sicilian background influenced your journey and your approach to wine?

As you know in icily it’s really hard to find international wines, so my knowledge was more limited to Italian products. But as soon as I arrived in London, I discovered a new World, full of wines from anywhere around the planet. It was a new start for me.

 

You’re returning to the IWSC Wine Judging in Georgia after your experience last year. What are your reflections on the Georgian wines you judged previously, and what are you looking forward to exploring this year?

Last year I was happy to understand the quality and the potential of Georgian wines. Of course, not all the wines were outstanding, but I believe that this year, after the feedback we gave to the producers in the past, we are going to experience a much more incredible tasting experience.

 

Working in one of Alain Ducasse’s restaurants, “The Dorchester,” must have been a transformative experience. How did this shape your perspective on pairing wines with haute cuisine?

For a Young Sommelier, working in a Michelin Star/Luxury environment is probably the most exciting place to be. I became really strong in French wine knowledge there, but the wine pairing for me has always been the funniest part of the Sommelier task. Every day, even at home, I try to experiment weird pairing, because for me matching wines/drinks with food has no strict rules.

 

As the On Trade Advisor & Wine Buyer at Friarwood Fine Wines, you have a pivotal role in selecting wines for a discerning clientele. What criteria do you prioritize, and how does your judging experience inform your buying decisions?

The criteria I prioritize are the following:

  • Quality of the product
  • Price
  • Is it an easy wine to sell?
  • People know this grape/appellation?
  • Market domand
  • Time of the year (summer/winter)

 

Georgia is renowned for its ancient wine-making techniques, notably qvevri wine-making. How do you perceive these traditional wines in the context of contemporary wine trends?

People are enjoying ancient wine more and more nowadays. People loves wines with minimum intervention, low sulphites, natural wines, and Georgia has it all. I believe that Georgia can have a glorious future in the wine industry, not just because of the history behind, but because of the quality of the wines produced. I never had a better qvevri wine outside of Georgia.

 

Having judged a multitude of wines across various regions, have you noticed any emerging trends or underrepresented regions that you believe deserve more attention on the global stage?

Lately I have tried sweet wines from Moldavia and I was amazed by the quality, and when I looked at the price, I was even more impressed, they were so inexpensive. Every day you hear about new Wine places around the World, the reality is that every Countries are now starting to produce quality wines.

 

Salvatore, reflecting on the impressive accolades from last year’s IWSC Wine judging in Georgia, With Georgia receiving such a high number of medals in the previous competition, including gold, silver, and bronze, do you believe this sets a higher benchmark for the wines being judged this year?

I am sure the level will be higher this year, which will make our life easier. I am sure that this year we’ll have an amazing wine judging and I look forward to discover few more jewels of the Georgian heritage.