Luke Harbor: Georgian and Caucasian wines, with their rich heritage and diversity of style, are well positioned to become an integral part of the wine narrative, contributing to the storytelling of both place and winemaking

 

Luke, your wine journey began in the kitchen a decade ago. How did that culinary foundation shape your approach to wine and its synergies with food?

My wine journey began a decade ago in the heart of the kitchen. The culinary foundation has influenced my approach to wine, enriching my understanding of flavours, textures, and the context of what food and beverage means to people. Food and wine, for me, represents a part of the essence of life – its primal and gastronomic facets. When it comes to wine, I view it through a lens that encompasses context, embracing the cultural and geographical influences with the occasion itself.

 

As a current Master of Wine student, what has been the most challenging and rewarding aspect of this prestigious journey, and how does it enhance your role as a judge for the IWSC?

As a current Master of Wine student, this journey has been both challenging and immensely rewarding. I’ve temporarily paused at Stage 1, which taught me not only about what I know but, more importantly, about what I don’t. My aspiration to become a Master of Wine remains resolute, and this pause allows for a moment of gratitude and reflection on the experience so far.

 

Given your vast experience and education in wines, what unique qualities or characteristics are you particularly looking forward to uncovering from the Georgian wines at the IWSC Wine Judging?

Drawing on my experience and education in wines, I am eagerly looking forward to exploring the unique qualities and characteristics of Georgian wines at the IWSC Wine Judging. The aspects that intrigue me most include delving into the stories behind these labels, observing indigenous Georgian grape varieties, and understanding how producers utilise the traditional Qvevri. I look forward to witnessing what the contemporary  Georgian wine landscape looks like.

 

Being the Head of Wines for an entire hotel group entails curating a wide range of wine selections. How do you ensure consistency in quality while catering to different palates and preferences across properties?

We’ve established a well-defined philosophy when it comes to choosing wines, focusing on supporting family-owned and smaller producers, wines with compelling stories, sustainability credentials, and value across various price points. Our emphasis is on fostering strong relationships with our suppliers, many of whom are friends, built on trust and shared values. The individuality and personality of each PIG wine list are preserved through the autonomy of the respective head sommeliers, reflecting their expression through the wine list.

 

With the ever-evolving global wine industry, where do you see the next big trend or region emerging, and how do you envision Georgian and Caucasian wines positioning themselves in that future landscape?

While predicting the next big trend or emerging wine region in the ever-evolving global wine industry is a challenge, I believe in staying true to our values rather than blindly following trends. Wines that represent their unique locations, thoughtful winemaking, value, and a genuine commitment to sustainability will likely lead the industry in the years to come. Georgian and Caucasian wines, with their rich heritage and diversity of style, are well positioned to become an integral part of the wine narrative, contributing to the storytelling of both place and winemaking. While they may not rise to the level of popularity enjoyed by New Zealand Sauvignon Blanc anytime soon, I foresee high-quality Georgian wines finding a well-deserved place on our lists.

 

 

Salvatore Castano: I believe that Georgia can have a glorious future in the wine industry

Salvatore, growing up in the rich wine heritage of Sicily and then establishing yourself in the global wine industry is no small feat. How has your Sicilian background influenced your journey and your approach to wine?

As you know in icily it’s really hard to find international wines, so my knowledge was more limited to Italian products. But as soon as I arrived in London, I discovered a new World, full of wines from anywhere around the planet. It was a new start for me.

 

You’re returning to the IWSC Wine Judging in Georgia after your experience last year. What are your reflections on the Georgian wines you judged previously, and what are you looking forward to exploring this year?

Last year I was happy to understand the quality and the potential of Georgian wines. Of course, not all the wines were outstanding, but I believe that this year, after the feedback we gave to the producers in the past, we are going to experience a much more incredible tasting experience.

 

Working in one of Alain Ducasse’s restaurants, “The Dorchester,” must have been a transformative experience. How did this shape your perspective on pairing wines with haute cuisine?

For a Young Sommelier, working in a Michelin Star/Luxury environment is probably the most exciting place to be. I became really strong in French wine knowledge there, but the wine pairing for me has always been the funniest part of the Sommelier task. Every day, even at home, I try to experiment weird pairing, because for me matching wines/drinks with food has no strict rules.

 

As the On Trade Advisor & Wine Buyer at Friarwood Fine Wines, you have a pivotal role in selecting wines for a discerning clientele. What criteria do you prioritize, and how does your judging experience inform your buying decisions?

The criteria I prioritize are the following:

  • Quality of the product
  • Price
  • Is it an easy wine to sell?
  • People know this grape/appellation?
  • Market domand
  • Time of the year (summer/winter)

 

Georgia is renowned for its ancient wine-making techniques, notably qvevri wine-making. How do you perceive these traditional wines in the context of contemporary wine trends?

People are enjoying ancient wine more and more nowadays. People loves wines with minimum intervention, low sulphites, natural wines, and Georgia has it all. I believe that Georgia can have a glorious future in the wine industry, not just because of the history behind, but because of the quality of the wines produced. I never had a better qvevri wine outside of Georgia.

 

Having judged a multitude of wines across various regions, have you noticed any emerging trends or underrepresented regions that you believe deserve more attention on the global stage?

Lately I have tried sweet wines from Moldavia and I was amazed by the quality, and when I looked at the price, I was even more impressed, they were so inexpensive. Every day you hear about new Wine places around the World, the reality is that every Countries are now starting to produce quality wines.

 

Salvatore, reflecting on the impressive accolades from last year’s IWSC Wine judging in Georgia, With Georgia receiving such a high number of medals in the previous competition, including gold, silver, and bronze, do you believe this sets a higher benchmark for the wines being judged this year?

I am sure the level will be higher this year, which will make our life easier. I am sure that this year we’ll have an amazing wine judging and I look forward to discover few more jewels of the Georgian heritage.